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Contact Support AJA is dedicated to ensuring your success with our products. Additional Resources Third-party support information and downloads. Press Images Images and logos for all products suitable for print and more. Version Fixes an issue in which adjusting the line spacing of multi-line titles only applied to the first line. Fixes an issue in which secondary storylines with mixed roles could overlap in the timeline.
Fixes issues with updating libraries. Fixes an issue when using Paste Attributes to copy color correction between clips. Configure window layouts into custom workspaces for tasks like organizing and color grading.
Fill a second display with the Timeline or hide the Timeline completely. Expand the Inspector to full-screen height. Magnetic Timeline 2 Color coding of clips based on roles such as dialogue, music, and effects lets you understand your project at a glance.
Create, assign, and customize the colors of roles to identify different types of audio and video clips. Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your Timeline. Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others.
Show Audio Lanes button in the Timeline Index displays a structured Timeline layout with dedicated spaces for each audio role. Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip.
Custom Roles assignment can be combined with iXML metadata during import. Create and manage a unique set of roles for each Final Cut Pro library. Wide Color Images are now viewable in wide color on supported Mac computers and external displays. Import, edit, and deliver video in standard Rec. Configure color spaces for both libraries and projects. Range check overlay in the viewer highlights areas out of the standard RGB range.
Video scopes display wide color in real time. Support for the Touch Bar on MacBook Pro Tap to execute common functions like volume control, fade in and out, and media import. View your entire project at a glance and navigate with touch in the timeline overview. MXF master file export uses audio roles to configure industry-standard channel layouts.
Export AVC-Intra files Additional Features Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews. Remove Effects and Remove Attributes commands let you delete specific effects from clips.
SMB 3 network support enables library access on network-attached storage devices. Timecode effect displays clip name and source clip timecode in the Viewer and in exported files.
Copy and paste timecode to speed up numerical entry from text documents. Consolidate custom Motion projects into individual Final Cut Pro libraries. Option for continuous playback of clips in the Browser.
Search custom metadata in the Browser and Timeline. Search Timeline Index for Auditions, compound clips, multicam clips, and synchronized clips. Ability to roll trim on adjacent connected clips. Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators. Skim and select ranges of audio files in the Music and Sound Effects browser. Enhanced XML support lets you import projects and clips into existing events.
Ability to drag and drop clips, projects, and events as XML with supported applications. Option-click a component in the Audio Inspector to select that component while simultaneously disabling all other components.
Disable an audio component in the Timeline by selecting it and pressing Delete. When you open a Multicam clip in the Angle editor, Final Cut Pro now positions the playhead on the same frame you were viewing in the original Timeline.
Ability to move subroles between roles and merge subroles with other subroles in the Edit Roles window. Synchronized clips now display a distinctive badge to easily identify them in the browser and Timeline.
Customizable keyboard shortcuts for adding audio fades. New preference to assign default fade duration when adding audio fades via keyboard shortcut. New Broadcast Safe Effect allows you to limit video levels to a specific color space including Rec. XML export of multicam clips now preserves the Angle ID which greatly improves integration with asset management systems. Camera angle, camera name, and reel fields are now searchable using the text search function in the Browser.
When importing from a camera card with mixed media such as stills and video, the Import window displays a single volume. After upgrading a library to Final Cut Pro version Support for bit uncompressed MXF with standard definition video. New column in the Import window for Color Profile, so you can view and select clips for import based on color space. Users can now create and save a custom default Generator, Title, and Lower Third Title which can then be added to a Timeline with keyboard shortcuts.
Timecode and audio meters are now displayed in the Event Viewer. An arrow cursor has been added as a new option for the Shapes generator. Resolves an issue in which lines are displayed across the timecode window on macOS Sierra.
In List View in the browser, audio waveforms now scale correctly to the width of the filmstrip. Synchronized clips now correctly roundtrip through XML export and import.
If you use Replace function to replace a clip in the Timeline that has keywords and notes with a new clip that does not, the keywords and notes no longer remain in the Timeline Index.
Audio levels remain consistent when trimming an Audition during playback. After resetting volume in Inspector, new fade handles are not set to Linear. When launching Final Cut Pro with no libraries loaded, the app will remain open even if you decline to upgrade a library.
Zoom in the viewer works correctly after full-screen playback. Generators with shape masks export at the correct size. Video-only export does not send audio out when you export a second time. You can now exit full screen playback when editing control points on a Draw Mask. The Draw Mask effect works correctly when added to a clip in a Multicam angle. You can now continuously move the Color Correction pucks with the arrow keys. Resolves an issue where Color Balance could cause some Multicam Clips to turn white.
Fixes an issue where Log processing could remain on a clip even when None is selected in the Inspector. Color Masks work on clips with Log processing applied. Support for color correcting Photoshop layers. Improved accuracy when subtracting colors from inside a Color Mask. Match Color and Balance Color can be copied and pasted to other clips using the Paste Attributes function. Title guide snapping now works correctly. Fixes an issue where the Basic Lower Third title could revert back to the original type style and not retain user changes after re-launching Final Cut Pro.
Improves speed when opening libraries on a SAN. Ability to share video to multiple YouTube accounts. Resolves an issue in which a disabled video effect could appear as Missing Effect when opening the project or when sharing to Compressor. Addresses an issue in which black frames could appear in imported iPhone video clips that were trimmed on iPhone.
Fixes an issue that could cause the playhead to jump ahead when editing short titles. Fixes an issue that could cause the timeline to stop playback when switching views in the Browser. Fixes an issue in which points on a Bezier shape could incorrectly switch from Linear to Smooth. Fixes an issue in which some objects within Motion templates render with soft edges.
Export interlaced H. Asset management systems can include a library backup file when sharing from Final Cut Pro. Fixes render errors that could occur when using reflective materials with 3D text.
Improves stability when swapping materials on 3D text with published parameters. Improves performance when loading text styles. Motion Title templates with published text layout parameters now export correctly.
Fixes an issue that could cause 3D text to appear dark when rendered. Addresses issues with timing on certain animated effects.
Improves accuracy when dragging to select a range in the Timeline. Fixes an issue that may cause Final Cut Pro to quit on launch. Simple templates to get started quickly. Cinematic templates with built-in backgrounds and animations. Large collection of text styles to create stunning looks with one click. Customize your titles with hundreds of combinations of materials, lighting, and edges.
Additional controls to adjust environment, shadows, and more. Instantly convert 2D titles to 3D. Open any title in Motion to add multiple lights, cameras, and tracking. Advanced effects Display up to four video scopes simultaneously. Apply super ellipse Shape Mask to any clip. Apply Draw mask to any clip, with options for linear, bezier, or B-spline smoothing.
New shape and color mask controls for every effect. Instantly display the alpha channel for any effect mask. Save custom effects as presets for quick access. Color Board merged into the new Color Correction effect. Rearrange the processing order of the Color Correction effect. Improved keyframing with better motion smoothing. Improved optical flow for beautiful slow motion on a wider range of content.
Better performance of FxPlug plug-ins and built-in effects that use multiple frames like Visual Echo and Trails. Support for JVC H. Additional features You can now use Smart Collections at the event and library level.
Import window consolidates all options into a single sidebar. CABAC entropy mode for multi-pass encoding. For legacy third-party applications, XML 1. Transform controls work correctly with photos in a secondary storyline. Resizable Filter window for searching. Freeze frames copy media across multiple libraries. Slo-mo video clips from iPhone appear in the Browser with a badge. Full-screen playback does not automatically superimpose transport controls. Fixes issues with automatic library backups.
Fixes an issue where clips with certain frame rates from Canon and Sanyo cameras would not import properly. Resolves issues that could interrupt long imports with App Nap enabled. Stabilization and Rolling Shutter reduction works correctly with fps video. Color corrections you paste between clips are retained during Share. Effects you apply to clips in the browser in prior versions of the app are retained when adding those clips to the timeline.
XML round-trip imports correctly when using gap clips. Improves reliability of automatic library backups. Improves stability when skimming growing files in the Browser. View and set storage locations for each of your libraries using the Library Properties inspector. Easily delete optimized, proxy, and rendered media from within Final Cut Pro. Used media indicators for Compound, Multicam, and Synced clips. Option to show only unused media in the Browser.
Apply a standard Rec. Improved speed and accuracy when synchronizing clips. Audio recording improvements including countdown and automatic Audition creation from multiple takes. Export entire library as a single XML file.
Selecting a library displays key metadata in the Inspector. Adjust relative and absolute volume of a clip or range selection. Create keywords from Finder Tags when importing media. Option to sort events by date or name in the Libraries list.
Import a clip by dragging directly into the Browser. Share 4K video to Vimeo. Linear and smooth motion interpolation between keyframes applies to both time and distance.
Resolves an issue with loading audio content in the Music and Sound Browser. Fixes a stability issue when applying a Motion effect with Scroll Text behavior. Faster switching between proxy media and original or optimized media. Improves Timeline responsiveness with very large projects. Libraries allow you to gather multiple events and projects within a single bundle.
Easily open and close individual libraries to load just the material you need. Option to import camera media to locations inside or outside of a library.
Automatically back up libraries to a user-specified drive or network location. Project Snapshots let you quickly capture the project state for fast versioning. Audio fade handles on individual audio channels in the timeline. Add precise retime speeds by entering them numerically in the timeline.
Non-rippling retime option. One step Replace and retime. Custom project frame sizes. Through edits displayed on all clip types. Join Through Edit command removes bladed cuts to clips in the timeline. Detach audio with Multicam clips in the timeline to manipulate audio and video separately. Make video- or audio-only edits into the timeline with Multicam Clips as sources.
Blade and move audio in J- and L-cuts. Ability to roll audio with J- and L-cut splits open. Option to hide the Event browser to gain more screen space for viewing. Native support for. MTS and. Used media indicators on source clips. Improved performance with large projects. Improved performance when modifying or adding keywords to many clips at once. Easily move, copy, and paste multiple keyframes. Option for the linear animation with Ken Burns effect. Improved image stabilization with InertiaCam and Tripod mode.
Import photos from iOS devices. Proxy and playback quality controls accessible in Viewer menu. Effects parameters, fonts, and text size included in XML metadata. Improved support for growing media and edit while ingest. API for custom Share operations using third-party software. FxPlug 3 with custom plug-in interfaces and dual-GPU support. Share directly to YouTube at 4K resolution. Share directly to Chinese video sites Youku and Tudou. Spanish language localization. You can eject drives after the libraries on those drives are closed.
It is much easier to move clips with transitions in the timeline and lift them out of the Primary Storyline with transitions preserved. Clips can be trimmed completely out of a timeline when using the rolling trim function. Media management functions can be cancelled with undo. Quitting the application cancels background processes. Transform correctly maintains linear motion on all keyframes. Fixes several issues related to interlaced media and retimed segments which could cause exports to not complete.
Resolves an issue where some third-party effects generated green frames during render.. Resolves performance issues that could occur with certain titles and effects. Time reversed clips render in the background. Ability to use key commands to adjust Clip Appearance settings in the timeline. Ability to view reel number metadata located in the timecode track of video files. Mono audio files in a surround project export with correct volume levels.
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